Bujji and Bhairava Review: Decoding the World of Nag Ashwin’s “Kalki 2898 AD

Bujji and Bhairava Review: Nag Ashwin’s highly anticipated film, “Kalki 2898 AD,” promises a visual and narrative extravaganza, featuring an ensemble cast including Prabhas, Deepika Padukone, Amitabh Bachchan, Kamal Haasan, and Disha Patani. Set for release on June 27, the film has generated significant buzz, amplified by the director’s innovative prelude: a two-part animated series streaming on Amazon Prime Video. This series introduces us to the dystopian world of Kashi in 2896 AD through the eyes of two central characters, Bujji and Bhairava, portrayed by Keerthy Suresh and Prabhas, respectively.

A Glimpse into Kashi: The Setting of 2896 AD

Kashi, as depicted in the animated prelude, is a city that has progressed technologically but remains ensnared in social and economic disparity. The animation presents a world swathed in neon and grey, capturing a blend of advanced technology and dilapidated environments. The stark contrast between the affluent inhabitants of Complex and the struggling masses paints a grim picture of inequality.

The currency in this future society is measured in ‘units,’ transferred conveniently through arm bands. This advanced yet oppressive economic system highlights the disparity between the rich and the poor. Oxygen canisters for better breathing and purchasable fresh mountain air underscore the environmental degradation and the commodification of basic needs.

Introducing Bujji and Bhairava

Bujji: The AI Bot on a Quest

BU-JZ-1, affectionately called Bujji, is an AI bot on its 100th cargo run. Bujji’s journey takes an unexpected turn when it encounters rebels, thrusting it into a world of chaos and conflict. Despite being an AI, Bujji exhibits a conniving and cheeky personality, maneuvering through dire circumstances with wit and determination. Bujji’s character serves as a commentary on the evolving nature of AI and its potential for autonomy and emotional depth.

Bhairava: The Down-on-Luck Bounty Hunter

Bhairava, portrayed by Prabhas, is a bounty hunter who seems to create chaos wherever he goes. He is depicted as a nuisance, owing money to almost everyone in town. Yet, beneath this rough exterior lies a man with a soft heart and a dream of a better life. Bhairava’s character is complex, embodying both the roughness of a survivor and the latent kindness of a dreamer.

The Dynamics Between Bujji and Bhairava

The two-part series, with episodes titled “Crash and Burn” and “Partners,” focuses on the evolving relationship between Bujji and Bhairava. Initially at odds, their journey towards mutual trust and partnership is central to the narrative. The animation effectively captures their transition from adversaries to partners-in-crime, hinting at deeper layers of character development that will likely be explored further in “Kalki 2898 AD.”

A Society of Disparity: Visual and Thematic Elements

Economic and Social Inequality

The world of Kashi is marked by stark economic and social inequality. The affluent live in an inverted pyramid structure known as Complex, an imposing diamond-like edifice that stands in stark contrast to the toppling structures surrounding it. This visual metaphor highlights the concentration of wealth and power, as well as the precariousness of those living outside its walls.

The disparity is further emphasized through clothing and lifestyle. The guards at Complex wear sleek black uniforms, symbolizing authority and control, while the rest of Kashi’s inhabitants don tattered clothes, signifying their struggle for survival. This visual distinction underscores the socio-economic divide and the oppressive nature of the ruling class.

Technology and Environment

Technological advancements in Kashi are juxtaposed with environmental degradation. The need for oxygen canisters and the commercialization of fresh air point to a polluted and inhospitable environment. Despite these challenges, there is a sense of ingenuity and resilience among the populace. Genius children building holographic projectors and bounty hunters zooming around on super-fast bikes showcase a society that, despite its hardships, continues to innovate and adapt.

Cultural and Religious References

The series weaves in cultural and religious references, adding depth to the world-building. The drinks named Soma, a term from Vedic Sanskrit meaning distilled, extract, or sprinkle, hint at a blend of ancient traditions and futuristic lifestyles. Additionally, the mention of Shambala, a mythical place from Buddhist tradition, suggests themes of utopia and spiritual aspiration, potentially foreshadowing elements in the upcoming film.

Character Development and Animation Quality

Bujji: From AI to Partner-in-Crime

Bujji’s transformation from a mere cargo-running AI bot to a central character with depth and personality is a testament to Nag Ashwin’s storytelling prowess. Despite its artificial nature, Bujji exhibits traits of cunning and resilience, making it a relatable and engaging character. The series effectively establishes Bujji’s motivations and its evolving relationship with Bhairava, setting the stage for further development in the film.

Bhairava: The Soft-Hearted Rogue

Bhairava’s character arc is equally compelling. His initial portrayal as a down-on-luck bounty hunter gradually reveals layers of complexity. Bhairava’s dream of a better life and his inherent kindness, despite his rough exterior, add depth to his character. The series hints at a redemption arc, suggesting that Bhairava’s journey will be central to the narrative of “Kalki 2898 AD.”

Animation and Visual Storytelling

While the animation quality in the prelude series could have been smoother, it effectively conveys the gritty and vibrant world of Kashi. The use of neon and grey tones, along with detailed environmental design, creates an immersive visual experience. The animation, despite its limitations, succeeds in bringing the characters and their world to life, laying a strong foundation for the upcoming film.

Themes of Hope and Resistance

Dreams of a Better Life

Central to the narrative is the theme of hope and the dream of a better life. Both Bujji and Bhairava are driven by the aspiration to escape their current circumstances and achieve a better existence. This shared dream forms the basis of their partnership and drives the plot forward. The prelude series effectively establishes this theme, setting up the stakes for the characters’ journey in the film.

Resistance and Rebellion

The presence of rebels and the oppressive regime of Complex highlight themes of resistance and rebellion. Bujji’s encounter with the rebels and Bhairava’s constant defiance of authority suggest a brewing conflict. These elements hint at a larger narrative of uprising and the fight against oppression, likely to be explored in greater depth in “Kalki 2898 AD.”

Globalized Culture and Language

The series also touches upon the theme of globalization. The banners in the streets where Bhairava lives feature words written in various languages, including foreign ones, indicating a truly globalized culture. This cultural amalgamation reflects the interconnectedness of the world in 2896 AD, adding a layer of complexity to the socio-political landscape.

Anticipation for “Kalki 2898 AD”

The animated prelude successfully builds anticipation for “Kalki 2898 AD.” By introducing key characters and setting up the dystopian world of Kashi, the series whets the audience’s appetite for the full-length film. The intricate world-building, compelling character arcs, and thematic depth promise a rich cinematic experience.


Nag Ashwin’s prelude to “Kalki 2898 AD” through the animated series on Amazon Prime Video is a masterful introduction to the film’s universe. The series not only establishes the central characters, Bujji and Bhairava, but also paints a vivid picture of a dystopian future marked by economic disparity, technological advancement, and cultural amalgamation. Despite its brief runtime, the prelude effectively sets the stage for the grand narrative to unfold in “Kalki 2898 AD,” leaving the audience eager to explore this richly crafted world further. As we await the film’s release on June 27, the animated series serves as a tantalizing glimpse into what promises to be a groundbreaking cinematic journey.

Gaurav Manral

I am from nainital, Uttrakhand, India and like to write different type of entertainment news like bollywood, Hollywood, South Indian movies, Life Style etc.