Gangs of Godavari Review: Vishwak Sen, Neha Sshetty, Anjali’s Film Falls Short of Being Compelling

Krishna Chaitanya’s “Gangs of Godavari” is a film that captivates you with its fast-paced narrative and intriguing premise but ultimately leaves you feeling unsatisfied. Starring Vishwak Sen, Neha Sshetty, and Anjali, the film delves into the ruthless world of power dynamics in Godavari, where ambition and the quest for dominance drive the characters to their limits. Despite a strong cast and compelling themes, the film struggles to deliver a truly engaging experience, falling short in several critical areas.

A Tale of Ambition and Power

The Rise of Rathna

The central character, Rathna (played by Vishwak Sen), is a street-smart man determined to claw his way to the top, no matter the cost. Rathna’s journey from a common man to the feared Tiger Rathnakar is marked by his cunning and ruthless tactics. He is supported in his ascent by two influential men, MLA Dora Saami Raju (Goparaju Ramana) and Nanaji (Nassar), who unknowingly aid him in his rise to power. The film effectively portrays Rathna’s transformation into a force of nature, driven by his unrelenting ambition.

Power and Loneliness

The film explores the theme of power and its isolating effects. Rathna’s relentless pursuit of power and dominance leads him to alienate those around him, including his closest confidantes, Rathnamala (Anjali) and his wife Bujji (Neha Sshetty). As Rathna climbs the ranks, he learns the hard way that the pinnacle of power is a lonely place. This theme of loneliness amidst power is a poignant aspect of the film, highlighting the emotional cost of ruthless ambition.

Characterization and Performances

Vishwak Sen as Rathna

Vishwak Sen, known for his roles as troubled, aggressive protagonists, brings intensity to the character of Rathna. He adeptly portrays Rathna’s cunning and ruthlessness, but his performance becomes monotonous as the film progresses. Rathna’s character is one-dimensional, driven solely by his ambition, with little room for emotional depth or development. This lack of complexity makes it difficult for the audience to empathize with him, even during his moments of downfall.

Neha Sshetty and Anjali

Neha Sshetty and Anjali provide strong performances as Rathna’s wife and confidante, respectively. Bujji, Rathna’s wife, is portrayed as a grounding force in his life, although her character is not fully explored. Anjali’s Rathnamala is similarly underdeveloped, serving more as a plot device than a fully realized character. Both actresses deliver their roles with conviction, but the script does not allow them to shine as brightly as they could have.

Narrative and Pacing

Breakneck Speed

Krishna Chaitanya narrates Rathna’s story at a breakneck speed, keeping the audience engaged but not fully invested. The fast-paced narrative helps maintain interest throughout the film’s 2-hour-26-minute runtime, but it also sacrifices character development and emotional depth. Key moments in Rathna’s rise and fall are glossed over, preventing the audience from fully understanding or sympathizing with his journey.

Lack of Emotional Resonance

The film’s rapid pacing and heavy reliance on dialogue result in a lack of emotional resonance. Scenes that should evoke strong emotions often fall flat, with dialogues that feel clichéd and uninspired. For instance, Rathna’s proclamations about women and money entering any room, or Bujji’s simplistic expressions of love, fail to create a meaningful impact. The film’s dialogues, intended to provide insight into the characters, often leave the audience wanting more.

Themes and Subtexts

Ambition and Moral Consequences

“Gangs of Godavari” explores the moral consequences of unchecked ambition. Rathna’s single-minded pursuit of power leads him to commit heinous acts, making enemies out of friends and alienating his loved ones. The film attempts to delve into the price of success and the ethical dilemmas faced by those in positions of power. However, these themes are not fully developed, and the film misses opportunities to explore them in greater depth.

Caste Politics

The film touches on the sensitive issue of caste politics in certain scenes but fails to go all in. The power dynamics in Godavari are influenced by caste hierarchies, adding another layer to the narrative. However, this aspect is not explored extensively, resulting in a superficial treatment of a complex and important issue. A more thorough examination of caste politics could have added significant depth to the story.

Technical Aspects

Music and Soundtrack

The music by Yuvan Shankar Raja is a double-edged sword in “Gangs of Godavari.” While it adds to the film’s atmosphere and helps convey the mood of certain scenes, it also overpowers the narrative at times. The heavy reliance on music cues to dictate the audience’s emotions highlights the film’s lack of a strong, intrinsic emotional core. Instead of enhancing the storytelling, the music sometimes feels like a crutch.

Cinematography and Visuals

The film’s cinematography captures the gritty, raw environment of Godavari, adding to the overall tone of the narrative. The visuals effectively convey the harsh realities of the power struggles and the stark contrasts between different social strata. However, the visual storytelling is not enough to compensate for the weaknesses in the script and character development.

A Polarizing Protagonist

Rathna’s Complexity

Rathna is a polarizing character, whose actions and motivations are difficult to fully understand or justify. His rise to power is marked by brutality and cunning, but attempts to humanize him through flashbacks and moments of vulnerability feel forced. The film struggles to balance Rathna’s ruthless ambition with his need for redemption, resulting in a character that feels inconsistent and lacking in depth.

Paranoia and Downfall

One aspect that works in the film’s favor is the portrayal of Rathna’s paranoia. As he climbs to the top, Rathna becomes increasingly paranoid, suspecting those around him and making enemies out of allies. This paranoia ultimately leads to his downfall, a self-inflicted collapse that underscores the moral consequences of his actions. The film effectively captures the psychological toll of Rathna’s ambition, even if it does not fully develop his character.

Final Thoughts and Conclusion

“Gangs of Godavari” is a film that promises much but delivers only partially. With a strong cast led by Vishwak Sen, Neha Sshetty, and Anjali, and a premise centered on power dynamics and ambition, the film has the potential to be a gripping narrative. However, it falls short due to its lack of character development, emotional depth, and thematic exploration.

Missed Opportunities

The film’s exploration of themes such as ambition, power, and caste politics is superficial, missing opportunities to delve deeper into these complex issues. The rapid pacing and heavy reliance on dialogue further detract from the overall experience, leaving the audience feeling disengaged. While the film touches on important topics, it does not provide the necessary depth or nuance to make a lasting impact.

Performances and Technical Aspects

Despite its shortcomings, the performances by the lead actors are noteworthy. Vishwak Sen brings intensity to his role, even if it becomes monotonous, and Neha Sshetty and Anjali deliver strong performances despite their underdeveloped characters. The film’s cinematography and music add to its atmosphere, but the overuse of musical cues highlights the lack of emotional resonance in the narrative.


In conclusion, “Gangs of Godavari” is a film that falls short of being compelling. It keeps you engaged with its fast-paced narrative and strong performances but ultimately fails to deliver a satisfying cinematic experience. The film’s superficial exploration of themes, lack of character development, and inconsistent pacing prevent it from reaching its full potential. For viewers looking for a deep, emotionally resonant story, “Gangs of Godavari” may leave you wanting more.

Gaurav Manral

I am from nainital, Uttrakhand, India and like to write different type of entertainment news like bollywood, Hollywood, South Indian movies, Life Style etc.